Course 111 · Year I · Autumn 2026-2027

Film Criticism and Analysis

Compulsory course in Cinematography, photography, media (Audiovisual communication, screenwriting, media advertising, filmology), taught by Elena Dulgheru.

Overview

Lecturer
Elena Dulgheru
Seminar tutor
Elena Dulgheru
Type of course
Compulsory
Language of instruction
Romanian
Erasmus language
English
Domain
Visual arts
Field of study
Cinematography, photography, media (Audiovisual communication, screenwriting, media advertising, filmology)
Form of education
Full-time
Form of instruction
Class / Seminary
Credit awarded by
Grade
Teaching methods
Interactive Screenings: Guided viewings of arthouse masterworks to stimulate cinematic analysis. Workshop-Led Deconstruction, where students transit from oral argumentation to conceptual writing. Project-Based Learning & Creative Writing Exercises.
Entry requirements
Intermediate level in world languages and cinema; a humanistic background (literature, visual arts); sharp observation skills; the ability to structure and express personal ideas and academic arguments

Aims

The course aims to develop students' critical writing and analytical skills;

to bridge the gap between oral debate and written essays;

to explore complex, symbolic, or metaphysical arthouse films omitted from the History of World Cinema course .

Course contents

  1. Introduction to Film Literacy and Critical Reviewing: Mastering the vocabulary of film criticism; transitioning from impressionistic viewing to structured cinematic analysis; reading the film as a text; understanding the format of festival reviews versus academic film essays.

  2. Decoding Challenging and Symbolic Cinema: Guided screenings and in-depth class deconstructions of complex avant-garde, arthouse, animation, and metaphysical feature films; identifying hidden narrative layers, subtexts, and visual motifs.

  3. From Verbal Argumentation to Creative Writing: Translating immediate oral debates and workshop discussions into written text; drafting concise festival-style presentations and short film chronicles; mastering hook mechanisms and rhetorical structures in film journalism.

  4. Advanced Analytical Writing Workshop: Step-by-step drafting, peer-reviewing, and refining of comprehensive analytical essays (maximum 3 extensive papers); tailoring analytical expectations to student skill levels while fostering individual critical voices.

Learning outcomes

By the end, students will be able to: understand the multilayered structure of a complex feature film; transition from oral debate to critical text; write structured film reviews and analytical essays on complex arthouse cinema; adapt their writing style from festival or popular reviews to academic analysis.

Assessment

Writing 3 or 4 essays—in various journalistic and academic genres—focusing on films viewed and discussed at the course, from a perspective explored in class: 70%. Ongoing participation in debates and supplementary classroom activities: 30%

Recommended reading

A Short Guide to Writing About Film
Timothy Corrigan
Pearson, Boston, 2014 · 208
Transcendental Style in Film: Ozu, Bresson, Dreyer
Paul Schrader
University of California Press, Berkeley, 2018 · 256
Tarkovski. Filmul ca rugaciune. O poetică a sacrului în cinematograful lui Andrei Tarkovski [Tarkovsky. Film as Prayer: A Poetics of the Sacred in the Cinema of Andrei Tarkovsky] (4th ed.)
Elena Dulgheru
Arca Invierii, Bucuresti, 2014 · 328