Course ARS 210 · Year II · Summer 2021-2022

THE STUDY OF DRAWING FOR ICONOGRAPHY (IV)

Compulsory course in Sacred art, taught by Cătălin Băluț.

This course page is from 2021-2022 and is archived.
See this course for the current academic year

Overview

Lecturer
Cătălin Băluț
Seminar tutor
Cătălin Băluț
Type of course
Compulsory
Language of instruction
Romanian
Erasmus language
English
Domain
Visual arts
Field of study
Sacred art
Form of education
Full-time
Form of instruction
Class / Seminary
Credit awarded by
Grade
Teaching methods
lecture, debates, exemples, practical activities

Aims

- the formation of skills through which the student can reaches the stage of direct expression of the plastic message, through specific, secular and canonical-religious means

-adapting the compositional design to the Byzantine specifics of icon and mural art.

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Course contents

Compositional portrait, detailed study and its transposition in the Byzantine manner

The expressiveness of the human figure - comparative study according to the Byzantine model and image

The expressiveness of the human figure - studies of figurative gestures and ways of canonical representation

Modeling and imagining of portraits of saints respecting the specifics of the representation of gesture and age in Byzantine art

Composing different biblical scenes based on model or memory and imagining sketches, sketches in different drawing techniques

Learning outcomes

Transmitting theoretical notions and making specific practical applications the field of drawing, the development of artistic visual skills through awareness, assimilation and representation of graphic, constructive principles and value from the models in the proposed themes.

Assessment

oral exam 50%, and implication in seminar practical activities 50%

Recommended reading

The Oxford Handbook of Byzantine Art and Architecture
Ellen C. Schwartz
Oxford University Press, Michigan, 2021 · -
The Visual Dialogue: An Introduction to the Appreciation of Art
Nathan Knobler
Holt, Rinehart and Winston, Michigan, 1771 · -
The Icon: Image of the Invisible
Egon Sendler
Oakwood Pubns, New York, 1995 · -