Type of course: | Compulsory |
Language of instruction: | Romanian |
Erasmus Language of instruction: | English |
Name of lecturer: | Cătălin Băluț |
Seminar tutor: | Cătălin Băluț |
Form of education | Full-time |
Form of instruction: | Class / Seminary |
Number of teaching hours per semester: | 28 |
Number of teaching hours per week: | 2 |
Semester: | Autumn |
Form of receiving a credit for a course: | Grade |
Number of ECTS credits allocated | 3 |
Formulation of cognitive pathways through the use of basic knowledge and recognition of concepts in the visual area.
Applying the necessary methods, techniques and creative tools in the use of the means of expression typical of the field of iconographic visual arts.
Elaboration of personal themes / projects in the field of painting, with all its valences, through the principles and methods established in the field.
N/A
The study of color for iconography analyzes from a chromatic point of view a series of practical notions such as: chromatic contrast, tonal chord, chromatic harmony, chromatic dominance, the rendering of form through color. Another important point of the course is the ability to observe, the ability and the decision to build chromatically following a naturalistic pictorial exercise.
Color for iconography
Foray into chromatology
Introduction to color theory-color circle, primary colors, secondary colors
Complementarity applied on a static nature
Warm colors / cool colors
Harmonies / disharmonies
Types of chromatic harmonies
Chromatic ranges
Gradients
Color contrast
The significance of color in iconography / icon palette of practical application
Color rendering of the human figure
Perspective in artistic painting
lecture, debates, exemples, practical activities
Competences in relating to the environment and culture through optimal transformation / assimilation of information and their processing / communication through iconographic language.
oral exam 50%, and implication in seminar practical activities 50%
Colum Hourihane,
The Grove Encyclopedia of Medieval Art and Architecture, Oxford University Press Colecția OUP USA,
New York,
2012,
-.
Dillian Gordon,
The Italian Paintings Before 1400, Yale University Press Colecția National Gallery London,
London,
2011,
-.
Felicity Ratte,
The City in Medieval Italian Painting, McFarland & Company,
Jefferson, USA,
2006,
-.