| Type of course: |
Compulsory |
| Language of instruction: |
Romanian |
| Erasmus Language of instruction: |
English |
| Name of lecturer: |
Theo Mureșan |
| Seminar tutor: |
Theo Mureșan |
| Form of education |
Full-time |
| Form of instruction: |
Class / Seminary |
| Number of teaching hours per semester: |
28 |
| Number of teaching hours per week: |
2 |
| Semester: |
Autumn |
| Form of receiving a credit for a course: |
Grade |
| Number of ECTS credits allocated |
2 |
Course aims:
Organize the visual field using the functions of plastic images
Structuring two-dimensional space according gestalt and topological space by recomposing semantic units
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Course Entry Requirements:
N/A
Course contents:
Week 1, 2: Closed composition and open composition. composition partially closed / open. Configuration. Fragmentation (cutting).
Week 3, 4, 5:
Free compositions (intuitive balance)Week 6, 7:
Compositions taking into account the laws of symmetry, of contrast value, of the balance by compensation.
Week 8, 9, 10: Compositions according to the laws of form: the law of closed form, the principle
addition or subtraction of elements from an ensemble.
Week 11, 12:
Compositions according to the rule of the golden section
Week 13-14:
Compositional portrait - chap. Expression and personification. Types
psychological. Cutout and reconfiguration.
Teaching methods:
Lecture, debate, presentation.
Learning outcomes:
The course of the Study of composition for iconography is carried out in a closely relation with other disciplines.
Learning outcomes verification and assessment criteria:
Course evaluation 50%, Seminar evaluation 50%
Recommended reading:
Daniel V. Thompson,
The materials and techniques of medieval paintings, Dover Publications, Inc. New
, New York
, 1956
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Arnheim Rudolf,
Art and visual perception, Ed. Meridiane
, București,
, 1979
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