Course ME412 · Year II · Autumn 2022-2023

CULTURAL IDENTITY AND LITERARY DISCOURSE IN THE GLOBALISATION ERA

Elective (1 of 2) course in English Language, Literature and Culture in European Context, taught by Petru Stefan Ionescu.

This course page is from 2022-2023 and is archived.
See this course for the current academic year

Overview

Lecturer
Petru Stefan Ionescu
Seminar tutor
Petru Stefan Ionescu
Type of course
Elective (1 of 2)
Language of instruction
English
Erasmus language
English
Domain
Philology - Masters
Field of study
English Language, Literature and Culture in European Context
Form of education
Full-time
Form of instruction
Class / Seminary
Credit awarded by
Grade
Teaching methods
Instruction is a combination of lectures, seminars, groupwork and individual work.
Entry requirements
There is no compulsory work placement in the course unit.

Aims

The main objective of this course is to open towards different possibilities of approaching cultural identity and literary discourse in space and time.

Each epoch has its own values reflected in literature.

Understanding the literary discourse of an epoch clears up the understanding of contemporaneity.

Course contents

The course and the seminars are centered on two levels. The first level supposes the study of several literary texts coming from the English literature: the Elizabethan Age (Shakespeare’s A Midsummer Night’s Dream), the Augustan Literature (Swift’s Gulliver’s Travels and A Tale of a Tub), the Victorian Literature (Robert Louis Stevenson, The Strange Case of dr Jekyll and Mr. Hyde), short narratives the 20th century. The second part is dedicated to tales/stories and their impact on the reality of different epochs; they can also be seen as a proof of common traits of humanity. Stories from different parts of the world will be analysed: England, France, America, Canada, Asia, Australia.

Learning outcomes

• creating a unitary and coherent structure of the main moments in the synchronic and diachronic evolution of literature and culture focusing especially on the English space in the first part, then passing on to a global view; • detailed analysis of a fairy tale through consulting a specialized bibliography respecting the rules of scientifc writing and with the recognition of the main characteristics of a certain epoch; • evaluation, comparison and selection of the texts starting from explicit criteria of value.

Assessment

• Combined oral and written examination (50% + 50% of the final grade)

Recommended reading

The Cambridge Introduction to Narrative. Cambridge University Press. Chapter 2: Defining narrative, p. 13-27, http:// community.wvu.edu/~bdb026/306/ch2-defining-narrative.pdf
Porter Abbott, H.
Cambridge University Press, -, 2002 · p. 13-27
Cultural Identity and Global Process. Sage. On line partially - Identity and Social Change (isc) http://www.identity-and-social-change.eu/pdf/praesentation_cultura_identity_polen.pdf
Friedman, Jonathan
-, -, 1994 · -
Literary Discourse”. In Handbook of Discourse Processes. Art Graesser, Morton Ann Gernsbacher, & Susan R. Goldman, Eds. Mahwah, NJ: Lawrence Erlbaum Associates.
Miall, D. S.
-, -, 2002 · -
Morphology of the Folk Tale. The American Folklore Society and Indiana University. Retrieved from https://archive.org/stream/MorphologyOfTheFolkTale/propp_djvu.txt
Propp, Vladimir
-, -, 1968 · -
Comparative Literature and Cultural Identity, Vol. 2, Issue 4, Article 5, Purdue University Press. Retrieved from http://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1088&context=clcweb
Skulj, Jola
-, -, 2000 · -