Course aims:

Organize the visual field using the functions of plastic images
Structuring two-dimensional space according gestalt and topological space by recomposing semantic units
---

Course Entry Requirements:

N/A

Course contents:

Week 1, 2: Closed composition and open composition. composition partially closed / open. Configuration. Fragmentation (cutting).
Week 3, 4, 5:
Free compositions (intuitive balance)Week 6, 7:
Compositions taking into account the laws of symmetry, of contrast value, of the balance by compensation.
Week 8, 9, 10: Compositions according to the laws of form: the law of closed form, the principle
addition or subtraction of elements from an ensemble.
Week 11, 12:
Compositions according to the rule of the golden section
Week 13-14:
Compositional portrait - chap. Expression and personification. Types
psychological. Cutout and reconfiguration.

Teaching methods:

Lecture, debate, presentation.

Learning outcomes:

The course of the Study of composition for iconography is carried out in a closely relation with other disciplines. 

Learning outcomes verification and assessment criteria:

Course evaluation 50%, Seminar evaluation 50%

Recommended reading:

Daniel V. Thompson, The materials and techniques of medieval paintings, Dover Publications, Inc. New, New York, 1956, -.
Arnheim Rudolf, Art and visual perception, Ed. Meridiane, București,, 1979, -.
-, -, -, -, -, -.